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If you’re like most professional graphic designers, you’re hesitant to use any font (or, more correctly, typeface) that comes preinstalled on your computer. However, if you use Mac OS X and are looking for an elegant calligraphic font, there’s one that’s worth a second look. Vdo Key Ii. After all, it has been literally decades in the making.
Calligraphy, defined as “the art of beautiful handwriting” (from the Greek kallos—“beauty”—and graphein—“to write”), is nearly as old as writing itself, but it was only after the advent of printing that elaborate script lettering, distinct from everyday handwriting, began to appear. The word calligraphy itself didn’t enter the English language until 1613. But while calligraphy was revered as an art, in general use, it began to decline as writing became increasingly mechanical and typewritten. In the late 19th century, calligraphy saw a revival, primarily as a reaction against the mechanization of writing. English author and artist William Morris was one of the chief influences on the renewed interest in calligraphy, and soon he had legions of followers, such as Stanley Morison, William Addison Dwiggins and Frederic Goudy. These students of calligraphy—who examined the structure and beauty of letters—became designers of typefaces, revolutionizing type design, which had until then been predominantly the purview of engineers and technicians. One of these calligraphic artists and type designers was Hermann Zapf (b.
Zapf designed some of the most famous typefaces, such as Palatino and Optima. Zapf was a typographic pioneer and an early proponent of computerized typography.
He had been interested in a calligraphic typeface since the 1940s, but hot-metal type was ill suited to the delicate reproduction of fine strokes and swashes. But with digital typography, it might be possible. In the early 1980s, Zapf worked with David Siegel, a recent Stanford graduate, who had an interest in creating a typeface based on Zapf’s own calligraphy.